My Holiday Wish List

Whenever I read a write-up on a photographic accessory I always wonder about the motivation of the writer. Did he just get one of these do-dads for himself? Was the spiffy item a gift from the manufacturer in exchange for the embedded kudos?

Those are the thoughts that go through my mind when I read articles and reviews. Why shouldn't you think along similar lines? I wouldn't blame you. So here's the real deal about this posting: Being somewhat of a photo-nut I hear about lots and lots of photo-gizmos and gadgets. You should also be aware that having had the opportunity to play with so many cameras, lenses and accessories I've become numb to marketing hyperbole. Therefore... all the accessories I'm going to mention below are: THINGS I REALLY WANT!

MEMORY CARDS

First on the list are memory cards. Memory cards are the new "film" and as much as you can never have enough film, you can never have enough memory cards. If you've ever seen that dreaded, "Card Full" prompt on the LCD screen of your camera you know what I mean! Each year manufacturers of memory cards push the limits of storage. Merely a few years ago cameras would come with cards that were measured in megabytes, today cards that hold 32 gigabytes and more have become commonplace. So there is no excuse to run out of memory.

The coolest thing I've seen on the memory card front is the Eye-Fi card. Sold in 2 and 4-gigabyte models for still and video photography, the Eye-Fi marries a Wi-Fi transmitter with a memory card! Unfortunately they are available in SD format only and not Compact Flash.



Eye-Fi cards store photos or video just like a traditional SD memory card, and even look like one. But they save time and make sharing easy through using your Wi-Fi network by automatic and wireless uploading of photos and videos from your camera to your computer or an online sharing website. You can even choose to upload only selected media, or all new media.

The Eye-Fi card comes in various models with various features. The models are named; Home, Share and Pro. By using the Eye-Fi Home card, you can upload photos wirelessly from your camera to your computer (Mac or PC). Mac users can upload directly to iPhoto. No cables. No hassles.

With the Eye-Fi Share card, you can also wireless upload photos to your computer and you can also share your photos with friends and family with effortless uploading to Flickr, Picasa, Facebook, or to one of over 25 other sharing, printing or social networking websites. Eye-Fi Video cards offer the same ease of uploading video and will also handle still photographs. And the Eye-Fi Explore Video card also gives you access to a lifetime of geotagging, and one year of Hotspot access. So you don't even have to be near your computer.

I have a friend in Chicago whose cable provider allows him to connect his television to Flickr and run a constant slide show of his photos. I imagine that with the Eye-Fi card he could have a party, photograph his guests during the party, and his guests could view his photos as they are shot. Very cool tech!

ACCESSORY FLASH

Nearly as annoying as running out of memory is running out of light. Photography is all about light and sometimes there just isn't enough of it. When you're faced with that situation adding some more light is the only solution.

There aren't many choices when you need more light. You can either turn on some room lights, or add a flash. A surprising number of camera's have built-in flash units. Some do not. I, of course, own a flash-free DSLR. Which is where the problem arises. Every camera manufacturer, Nikon, Olympus, Canon, Pentax et al, use different connections/systems for the flash unit to communicate with the camera's exposure computer. So you must buy a unit which mates to your particular camera. You're not limited to the flash made for your camera there are many other brands that will do the job just make sure that you're buying the unit for your particular brand of camera. And don't forget extra batteries.

TRIPODS

Regardless of the camera you have, compact, DSLR or video, if you don't have a tripod you need one. Back-in-the-day the rule for tripods was "the heavier-the better". That is no longer the case unless you're a serious professional working in extreme lighting conditions.

As a snap-shooter you need a tripod for one main reason: to place yourself in the photo. You used to be able to place a camera on a stack of books or use a beanbag to get that shot but today's compact cameras are loath to stand by on their own. They're either too small or oddly shaped. I suggest that everyone that owns a compact digital camera buy a compact tripod like this pocket tripod.



If you're shooting video the main reason for a tripod is to stop camera shake, especially if you're using the long telephoto setting on your zoom. If you're shooting mostly video I'd also recommend a "fluid" head tripod. The fluid head is like having a tiny shock absorber in he tripod so as you pan and tilt the tripod smooths out the motion. You might also consider a fluid head tripod if you're shooting a lot of video with your still camera.

What Camera Do I Buy as a Gift?

The most common question asked of photography professionals is also the most annoying because there really isn't any correct answer. The question comes in a few different forms: "What is the best camera?" or "What camera should I buy?" or worse, "What camera should I buy for my _______?" Enter father, mother, brother, spouse or significant other in the blank.

A professional shooter knows that the best camera is the one that you have with you when you need to take the picture. However that answer will only alienate the dear friend or relative who is seriously looking to you for advice, plus cement your reputation as a smart aleck, joker or wisenheimer. I've have learned that the solution is to play detective and ask some questions before making a recommendation.

Will the user have any interest in learning the camera's operation? My father had me purchase a Canon PowerShot as a gift for my mother on her 80th Birthday. I dutifully researched the models and purchased a camera and small snapshot printer within the price range he indicated. My mother has never used the camera and it's my fault, kinda-sorta, I never realized that my Dad actually wanted the new camera for himself. My Mother has no interest at all in taking photos. This taught me that before you buy someone a camera you should ask if they would actually use a camera if they had one.

Another question I've learned to ask is: "What type of photos will this person be taking?" In other words, will Uncle Bob be shooting family snaps at social events and vacations or does he dream of being the next Ansel Adams or Richard Avedon? (The answer to the latter is to tell Uncle Bob to go and pick out a camera for himself while you buy him a necktie.)

Now that you're even more confused about which camera to buy I will simplify it for you: It doesn't matter! Every compact digital or advanced DSLR produces technically remarkable photographs. Chalk it up to globalization or advanced corporate espionage but the differences in cameras among the major brands are small and each manufacturer makes models to fit every price point. So as far as I'm concerned the most important question is, "What is your budget?" Which is a bit more polite than, "How much cash have you got?"

So you've decided on the budget and you're going shopping, the most confusing feature you'll encounter is Megapixels.

The biggest selling point that camera manufacturers use is the number of megapixels that their unit offers. It is a fallacy is that the more megapixels the better. Big megapixel numbers surely sound impressive, especially if you don't know what a megapixel is.

A megapixel is 1,000,000 pixels. To understand what a pixel is look at photo in a newspaper. Notice that the photo is made up of lots of little dots. In the old days of film photography we would have to convert the photograph to dots, they are called halftones. Today with digital photography the image from the camera is already in dot form, those dots are called pixels.

Television is where pixels came to being. Your standard television set has 425 pixels/dots top to bottom. If you are lucky enough to have a new HD television you have 1020 pixels top to bottom. In photography we measure pixels by how many are in an inch or how many there are in an image.

Most computer screens are set to 72 pixels/inch. A 1-megapixel file will fill your high-def screen and a 10-megapixel camera will give you a file large enough to fill the Diamond Vision screen at new Yankee Stadium.

If the only thing you do with your photos is print 4x6 photos for your album and load your images to Facebook you don't need a massive DSLR like a Canon 5D or Nikon D100, a Kodak Easy-Share will do you fine. And the beauty of these smaller cameras is that you'll always have it with you when you need it!

Now that you understand that massive megapixel capture is irrelevant unless you're making poster size prints or billboard you can settle on some other important things like what color camera you want. Yes, cameras are no longer just silver or black they come in colors!

Another important feature is the size of the screen at the back of the camera. The larger the screen the easier it will be to review the image, especially if you need glasses to read. In fact, if you need reading glasses you need to have your glasses on when you shoot. No way around that.

Here's the deal, photography is fun, if you're not having fun and capturing fun memories with your camera then something is wrong. Perhaps your money would be better spent on therapy and medication or an extended vacation. But then you won't have those vacation photos to share!

One final bit of camera buying advice; if you're young daughter is a big Ashton Kutcher fan and talks about him in those humorous Nikon television commercials then a Canon or Olympus just won't cut it. Buy her the Nikon she wants and be a hero.